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Poster Print : Putting a Good Face On It, 1863. Artist: John Tenniel
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Putting a Good Face On It, 1863. Artist: John Tenniel
Putting a Good Face On It, 1863. Palmerston, (The Plasterer), says: Lor Bless You! A Little Bit O Stucco Will Make It Perfect. Palmerstons government had proposed that nearly half a million pounds be allocated to retain and refurbish the building, designed by Captain Francis Fowke of the Royal Engineers, that had been erected to house the International Exhibition of 1862. Apparently, Palmerston had said that a little stucco would serve quite well to hide the buildings numerous blemishes. From Punch, or the London Charivari, June 27, 1863
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Media ID 14830626
© The Print Collector / Heritage-Images
Builder Building Site Construction Dome Fowke Francis Francis Fowke Henry John Henry John Temple Heritage Image Partnership John Tenniel Ladder Lord Lord Palmerston Palmerston Plaster Plasterer Prime Minister Sir John Tenniel Stucco Tenniel Trowel Viscount Palmerston Aristocrat Blemish Metaphor
18x24 inch Poster Print
Bring historical charm into your home or office with our exquisite poster print from the Media Storehouse collection. Featuring the iconic work "Putting a Good Face On It, 1863" by renowned artist John Tenniel, this print showcases a humorous moment in history with Lord Palmerston's famous quote, "Lor Bless You! A Little Bit O' Stucco Will Make It Perfect." This timeless piece, originally from Heritage Images, adds character and intrigue to any space, making it a must-have for history enthusiasts and art collectors alike. Order now and experience the beauty and richness of this classic print.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Putting a Good Face On It, 1863
EDITORS COMMENTS
is a captivating print that captures the essence of political maneuvering and deception during the 19th century. The artwork, created by renowned artist John Tenniel, depicts Lord Palmerston, also known as "The Plasterer" standing proudly on a ladder with his trusty trowel in hand. In this satirical portrayal, Palmerston represents the British government's attempt to hide its flaws and shortcomings behind a facade of stucco. With an aristocratic air about him and donning his distinctive headgear, he confidently asserts that a little bit of plaster will make everything perfect. The image symbolizes not only Palmerston's occupation as a builder but also serves as a metaphor for the political landscape at the time. Just like papering over cracks or applying stucco to hide imperfections in construction, politicians were often accused of masking their failures with empty promises and superficial solutions. This engraving from Punch magazine reflects the public sentiment towards Palmerston's proposal to allocate significant funds for refurbishing Captain Francis Fowke's building after hosting the International Exhibition of 1862. The cartoon cleverly exposes how politicians can manipulate appearances while neglecting genuine progress or addressing underlying issues. Through its monochrome black-and-white composition, this heritage image partnership between Francis Fowke's architectural design and John Tenniel's artistic skills offers us insight into both historical events and timeless human nature – reminding us that sometimes putting on a good face may not be enough to truly fix what lies beneath.
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