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Poster Print : Lured from her own, her native home... c1820. Creator: George Cruikshank
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Lured from her own, her native home... c1820. Creator: George Cruikshank
Lured from her own, her native home, the home of early life, and doom d in stranger realms to roam; a widow! Yet a wife! - Phillipss Lament, c1820. Satirical cartoon showing Caroline of Brunswick travelling to England to marry the Prince Regent (future King George IV). She is helped into a boat named The Hag of Jersey by Frances Villiers, Countess of Jersey, who was one of the Princes mistresses and was also Carolines Lady of the Bedchamber. Caroline and the Prince were married in in 1795. From " The Queens matrimonial ladder", a political pamphlet with wood engraved illustrations by George Cruikshank, published after the opening of the trial of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV), in August 1820. [William Hone, London]. Included in an album containing portraits and satirical caricatures related to the trial
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Media ID 19046019
© The Print Collector/Heritage Images
Arrival Arriving Boarding Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Channel Cliff Cliffs Countess Of Cruikshank Dover Cliffs English Channel Frances George Cruikshank George Iv George Iv Of The United Kingdom Hone Jersey King George Iv King Of Great Britain Legislation Mistress Pains And Penalties Bill Pains And Penalties Bill 1820 Prince Of Wales Prince Regent Princess Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Of George Iv Villiers White Cliffs Of Dover William Hone
27x27 inch Poster Print
Step back in time with Media Storehouse's captivating poster prints, featuring the evocative work of George Cruikshank from Heritage Images. This powerful image, titled "Lured from her own, her native home... c1820," tells a poignant story of a woman's fate, as she is torn from her familiar surroundings and forced to begin a new life in unfamiliar realms. The haunting caption, "a widow! Yet a wife! - Phillipps Lament," adds depth and intrigue to this poignant and thought-provoking piece. Bring this beautiful and moving work of art into your home and let it inspire reflection and introspection.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 69.2cm x 69.2cm (27.2" x 27.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This satirical cartoon print, created by George Cruikshank in the early 19th century, captures a significant moment in history - the arrival of Caroline of Brunswick to England to marry the Prince Regent (future King George IV). Titled "Lured from her own, her native home. . . c1820", this artwork depicts Caroline's journey as she is helped into a boat named The Hag of Jersey by Frances Villiers, Countess of Jersey. Caroline's story is one filled with intrigue and scandal. As she leaves behind her homeland and embarks on this new chapter of her life, we can sense both excitement and trepidation in her expression. The boat itself symbolizes the turbulent waters that await her in England. Frances Villiers' presence adds another layer to this narrative. Not only was she one of the Prince's mistresses but also served as Caroline's Lady of the Bedchamber. This juxtaposition highlights the complexities and power dynamics within royal relationships during that era. The black-and-white engraving technique used by Cruikshank enhances the dramatic atmosphere surrounding Caroline's arrival. It evokes a sense of timelessness while emphasizing key details such as their expressions and body language. Overall, this print offers a glimpse into an important historical event intertwined with personal emotions and political implications. It serves as a reminder that even amidst grandeur and royalty, human stories are shaped by love, betrayal, and societal expectations.
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