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Poster Print : Jerusalem, Porte de la citadelle, Inscription, 1854. Creator: Auguste Salzmann

Jerusalem, Porte de la citadelle, Inscription, 1854. Creator: Auguste Salzmann




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Jerusalem, Porte de la citadelle, Inscription, 1854. Creator: Auguste Salzmann

Jerusalem, Porte de la citadelle, Inscription, 1854

Heritage Images features heritage image collections

Media ID 20137538

© Heritage Art/Heritage Images

Archaeological Auguste Auguste Salzmann Citadel City Walls Door Doors Holy Land Inscribed Inscription Israel Jerusalem Jerusalem Israel Old City Palestine Salted Paper Print Salzmann Salzmann Auguste Town Wall Walled City Walled Town Walls Zion Archway Fortifications


18x24 inch Poster Print

Step back in time with our exquisite Jerusalem Poster Print from Media Storehouse. This stunning 1854 photograph by renowned French photographer Auguste Salzmann captures the breathtaking beauty of the Porte de la Citadelle in Jerusalem. The intricate inscription on the ancient gate adds an air of mystery and history, transporting you to another era. Bring the rich culture and heritage of Jerusalem into your home or office with this beautiful and authentic poster print from Heritage Images.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > France

> Architecture > Doors

> Architecture > Related Images

> Asia > Israel > Jerusalem Heritage Sites > Old City of Jerusalem and its Walls

> Asia > Israel > Jerusalem

> Asia > Israel > Related Images

> Asia > Palestine > Jerusalem

> Asia > Palestine > Related Images

> Europe > France > Canton > Landes

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print by Auguste Salzmann takes us back to the ancient city of Jerusalem in 1854. The image showcases the imposing Porte de la citadelle, a magnificent archway that stands as a testament to the architectural wonders of the 19th century. As we gaze upon this archaeological site, we are reminded of the rich history and cultural heritage that Jerusalem holds. The inscription on the archway adds an air of mystery and intrigue to the scene, inviting us to ponder its meaning and significance. This photograph captures not only a physical structure but also a sense of timelessness and spirituality that permeates through every stone. Salzmann's expert use of photography enhances our perception of this historical gem, emphasizing its grandeur while simultaneously evoking a sense of nostalgia. The play between light and shadow creates depth within each intricate detail, allowing us to appreciate both the fortifications surrounding Jerusalem's old city walls and their delicate beauty. As we admire this remarkable piece from Auguste Salzmann's collection at The Metropolitan Museum of Art, it serves as a reminder that art has no boundaries when it comes to capturing moments frozen in time. Through his lens, Salzmann transports us directly into an era long gone but forever preserved in his masterful salted paper print.

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