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Poster Print : Jerusalem, Chapelle de l Ascension, 1854. Creator: Auguste Salzmann

Jerusalem, Chapelle de l Ascension, 1854. Creator: Auguste Salzmann




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Jerusalem, Chapelle de l Ascension, 1854. Creator: Auguste Salzmann

Jerusalem, Chapelle de l Ascension, 1854

Heritage Images features heritage image collections

Media ID 20137304

© Heritage Art/Heritage Images

Archaeological Auguste Auguste Salzmann Chapel Holy Land Israel Jerusalem Jerusalem Israel Mount Of Olives Mount Olivet Palestine Ridge Salted Paper Print Salzmann Salzmann Auguste Zion


18x24 inch Poster Print

Experience the rich history and beauty of Jerusalem with our stunning poster print from Media Storehouse. This exquisite piece, captured by renowned photographer Auguste Salzmann in 1854, showcases the Chapelle de l'Ascension - a significant site of Christian pilgrimage. The intricate architectural details and serene atmosphere of this ancient chapel are brought to life in this timeless photograph, transporting you to another era. Add this beautiful Jerusalem print to your home or office to inspire wanderlust and ignite your imagination. #Jerusalem #ChapelledeLAscension #AugusteSalzmann #HeritageImages

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > France

> Architecture > Related Images

> Architecture > Religious

> Arts > Contemporary art > Photography > Landscape photography

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Asia > Israel > Jerusalem

> Asia > Israel > Related Images

> Asia > Palestine > Jerusalem

> Asia > Palestine > Related Images

> Europe > France > Canton > Landes


EDITORS COMMENTS
This print, titled "Jerusalem, Chapelle de l Ascension, 1854" takes us back to the enchanting world of 19th-century Jerusalem. Created by the talented Auguste Salzmann, this archaeological masterpiece showcases the stunning Chapel of the Ascension in all its glory. The image transports us to a time when architecture was revered for its intricate details and grandeur. The chapel's exterior stands tall against the backdrop of Jerusalem's breathtaking landscape, nestled on the iconic Mount of Olives. Its ridge-like structure adds an element of mystique to this religious site that holds immense significance in both French and Israeli history. Salzmann's skillful use of photography captures every nuance with precision. The salted paper print technique enhances the texture and depth, allowing viewers to appreciate each fine detail meticulously captured by his lens. As we gaze upon this heritage art piece from The Metropolitan Museum of Art collection, we are reminded not only of its historical importance but also its spiritual significance. This photograph serves as a testament to Salzmann's talent as well as his dedication to preserving cultural landmarks through his artistic vision. "Jerusalem, Chapelle de l Ascension" is more than just a photograph; it is a window into another era—a visual representation that transcends time and connects us with our shared human heritage.

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