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Poster Print : Depuis que Virginie a obtenu le septième accessit.. 1844. Creator: Honore Daumier
Poster Prints From Heritage Images
Depuis que Virginie a obtenu le septième accessit.. 1844. Creator: Honore Daumier
Depuis que Virginie a obtenu le septieme accessit.. 1844. Depuis que Virginie a obtenu la septieme accessit de poesie a l'Academie francaise il faut que ce soit moi...moi capitaine de la garde nationale...qui compte tous les samedis le linge a donner a la blanchisseuse...et je le fais parce que sans cela ma femme me laverait la tete!'. Husband: Ever since Virginie received the seventh honorable mention for poetry at the Academie Francaise, it is I...me a captain of the National Guard...who must sort the washing every Saturday to give to the laundress... and I do it because if I don't, my wife will wring me out!'. Satirical criticism of bluestockings': women with interests beyond housework and childcare. Series: Les Bas-bleus, no. 24; Periodical: Le Charivari, 18 April 1844
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Media ID 36353912
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Academie Francaise Academy Annoyance Annoyed Bluestocking Complaining Daumier Honore Daumier Honore Victorin Division Of Labour Domestic Domestic Bliss Domestic Chore Domestic Life Equality Family Life Funny Gender Gender Role H Daumier Honore Daumier Honore Victorin Daumier Household Housework Husband Laundry Le Charivari Lithographic Misogynistic Misogyny Prize Winner Prize Winning Rights Sexism Sexist Washing Winner Winning Wives Womens Rights French Academy Lithotint Metaphor Parody Satirical
18x24 inch Poster Print
Step back in time with our exquisite poster print from the Media Storehouse collection, featuring the iconic work 'Depuis que Virginie a obtenu le septieme accessit.. 1844' by Honore Daumier. This captivating image, sourced from Heritage Images, showcases the renowned French artist's masterful depiction of a man's jealousy and self-importance. With intricate details and vibrant colors, this poster print is a stunning addition to any home or office space, transporting you to the artistic world of 19th-century France. Bring a touch of history and culture into your surroundings with this beautiful and thought-provoking piece by Honore Daumier.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Depuis que Virginie a obtenu le septieme accessit
EDITORS COMMENTS
(Since Virginie Received the Seventh Honorable Mention), a satirical lithograph by Honore Daumier, published in the French periodical Le Charivari on April 18, 1844, humorously critiques the societal expectations of gender roles, particularly towards women with intellectual pursuits beyond housework and childcare. The image depicts a disgruntled husband, dressed as a captain of the National Guard, sorting laundry on a Saturday, while his wife looks on, amused. The caption reads, "Ever since Virginie received the seventh honorable mention for poetry at the Academie Francaise, it is I...me a captain of the National Guard...who must sort the washing every Saturday to give to the laundress... and I do it because if I don't, my wife will wring me out!" The print is part of Daumier's series "Les Bas-bleus," which targeted the "bluestockings" or intellectual women of the time. The husband's annoyance and the division of labor in the household are metaphors for the societal pressure on women to prioritize domestic duties over intellectual pursuits. The image, with its humorous and satirical tone, highlights the frustrations and annoyances of both the husband and the wife, while also critiquing the gender roles of the time. The print is an important piece of 19th-century art and social commentary, and is now part of the collection at the Los Angeles County Museum of Art. It showcases Honore Daumier's skill as a lithographer and his ability to use humor to critique societal norms. The image continues to resonate today, as it sheds light on the ongoing debate about gender roles and equality in domestic and intellectual spheres.
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