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Poster Print : Buckles and Buttons: I am the thing, dem-me, 1777

Buckles and Buttons: I am the thing, dem-me, 1777




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Buckles and Buttons: I am the thing, dem-me, 1777

Buckles and Buttons: I am the thing, dem-me, 1777. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Heritage Images features heritage image collections

Media ID 14916969

© The Print Collector / Heritage-Images

Breeches Britches Buckle Button Buttonhole Buttons Dandy Emily Morse Emily Morse Symonds Fashionable George Paston Paston Symonds


18x24 inch Poster Print

Bring history to life with our exquisite selection of poster prints from the Media Storehouse. This captivating image, titled "Buckles and Buttons: I am the thing, dem-me, 1777," is an enchanting illustration from George Paston's Social Caricature in the Eighteenth Century. Depicting intricate buckles and buttons from the era, this print is a captivating glimpse into the past. Add a touch of history and charm to your walls with our high-quality, museum-grade poster prints. Each print is meticulously produced using archival inks and premium paper to ensure long-lasting vibrancy and brilliance. Experience the allure of the past with Media Storehouse's authentic and captivating poster prints.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Related Images


Buckles and Buttons - I am the thing, dem-me, 1777

EDITORS COMMENTS
is a captivating print that takes us back to the fashionable world of eighteenth-century Britain. This illustration, featured in "Social Caricature in the Eighteenth Century" transports us to a time when clothing was not just a necessity but also an expression of one's social status. The image showcases a dandy gentleman adorned with elaborate buckles and buttons on his attire. His breeches, hat, and suit are meticulously tailored to perfection, reflecting the epitome of fashion during this era. The artist behind this intriguing piece is George Paston (pseudonym of Emily Morse Symonds), who expertly captures both satire and style in her illustrations. Through this print, we witness how fashion played a significant role in defining one's identity during the eighteenth century. The attention given to every detail - from buttonholes to britches - emphasizes the importance placed on appearance by men of that time. This monochrome masterpiece invites us into an era where elegance reigned supreme for gentlemen like our subject here. It serves as a reminder that fashion has always been intertwined with society's norms and aspirations throughout history. As we gaze upon this remarkable artwork by Unknown (creator) under George Paston's guidance, we are transported back to an age where clothes were not simply garments but statements about one's place in society.

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