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Poster Print : SLUM LANDLORDS, 1895. Our Religious Landlords and Their Rookery Tenants : American lithograph cartoon by C. Jay Taylor, 1895, contrasting the outward piety of New York Citys wealthy landlords with their indifference to the living conditions of their tenants in the slums

SLUM LANDLORDS, 1895. Our Religious Landlords and Their Rookery Tenants : American lithograph cartoon by C. Jay Taylor, 1895, contrasting the outward piety of New York Citys wealthy landlords with their indifference to the living conditions of their tenants in the slums




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SLUM LANDLORDS, 1895. Our Religious Landlords and Their Rookery Tenants : American lithograph cartoon by C. Jay Taylor, 1895, contrasting the outward piety of New York Citys wealthy landlords with their indifference to the living conditions of their tenants in the slums

SLUM LANDLORDS, 1895.
Our Religious Landlords and Their Rookery Tenants : American lithograph cartoon by C. Jay Taylor, 1895, contrasting the outward piety of New York Citys wealthy landlords with their indifference to the living conditions of their tenants in the slums

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 6217457

1895 Church Landlord Political Acts Poverty Religion Tenant Tenement Top Hat Upper Class


18x24 inch Poster Print

Step back in time with our captivating Slum Landlords poster print. This vintage lithograph by C. Jay Taylor, dated 1895, is a poignant commentary on the stark contrast between the outward piety and wealth of New York City's landlords and the dire living conditions of their tenants in the slums. This powerful image from The Granger Collection invites reflection on the complexities of urban life during the late 19th century. Bring this historical art piece into your home or office as a conversation starter and a reminder of the past.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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SLUM LANDLORDS, 1895 - A Powerful Depiction of Social Injustice

EDITORS COMMENTS
. This thought-provoking lithograph cartoon by C. Jay Taylor, created in 1895, sheds light on the stark contrast between the outward piety of New York City's wealthy landlords and their callous indifference towards the living conditions of their impoverished tenants in the slums. The image captures a scene from late 19th-century America where top-hatted men representing the upper class are depicted as religious figures, symbolizing their supposed moral superiority. In sharp contrast to this facade of religiosity, we witness dilapidated tenement buildings lining a poverty-stricken street below. These rookery tenants endure unimaginable hardships while being subjected to squalor and destitution. This powerful visual commentary exposes how these landlords prioritize personal wealth over compassion for their fellow human beings. The artist skillfully employs political satire to highlight society's failure to address rampant inequality and social injustice during that era. By juxtaposing religion with greed and neglect, Taylor challenges viewers to question societal norms and confront uncomfortable truths about power dynamics within American society. This historical lithograph serves as a reminder that even amidst progress and prosperity, there exist marginalized communities suffering at the hands of those who hold economic influence. It urges us not only to recognize our shared responsibility but also encourages us to take action against systemic injustices that persist today.

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