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Poster Print : Religion Overthrowing Heresy and Hatred, c. 1697 (marble)

Religion Overthrowing Heresy and Hatred, c. 1697 (marble)




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Religion Overthrowing Heresy and Hatred, c. 1697 (marble)

704374 Religion Overthrowing Heresy and Hatred, c.1697 (marble) by Le Gros, Pierre the Younger (1666-1719); Church of the Gesu, Rome, Italy; (add.info.: The vices of Hatred and Heresy are represented as an old woman and a man falling over, respectively. A putto to the left of the group tears apart a volume by the reformist Zwingli and the figure of Heresy stumbles over a book by Luther.); Italian, out of copyright

Media ID 23538530

© Bridgeman Images

Belief Counter Reformation Crucifix Falling Gesu Hate Hatred Heresy Jesuit Jesuits Overthrowing Personification Personifications Putti Society Of Jesus Triumph Vanquishing Vice Vices Virtue Cherubim Cherubs Heretical


18x24 inch Poster Print

Experience the powerful and inspiring image of 'Religion Overthrowing Heresy and Hatred' by Vincenzo Pirozzi. This stunning poster print, inspired by the original marble sculpture housed in the Church of the Gesu in Rome, showcases the triumph of faith over adversity. The intricate details of the sculpture are beautifully captured in this high-quality print, making it a captivating addition to any space. Embrace the message of unity and peace that this iconic work of art represents. Order your 'Religion Overthrowing Heresy and Hatred' poster print today and let it serve as a daily reminder of the power of faith and love.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Sculpture

> Europe > Italy > Lazio > Rome

> Europe > Italy > Sculptures

> Popular Themes > Religious Images


EDITORS COMMENTS
The print captures the magnificent marble sculpture titled "Religion Overthrowing Heresy and Hatred" by Pierre Le Gros the Younger. Located in the Church of the Gesu in Rome, Italy, this baroque masterpiece depicts a powerful allegory of religious triumph over vices. In this artwork, two personifications are represented as an old woman symbolizing Hatred and a falling man representing Heresy. The figure of Heresy stumbles over a book by Luther while a putto tears apart a volume by Zwingli, both reformists whose ideas were considered heretical at that time. These symbolic actions emphasize the victory of Catholicism over these dissenting beliefs. The sculpture showcases intricate details and expert craftsmanship. The figures seem to come alive with their dynamic poses and expressions, conveying intense emotions of struggle and defeat. A crucifix stands tall amidst this chaotic scene, serving as a symbol of faith and virtue. This artwork is not only visually stunning but also carries significant historical context. It reflects the Counter Reformation period when Catholicism sought to combat Protestant influences across Europe. Through its grandeur and symbolism, "Religion Overthrowing Heresy and Hatred" serves as a reminder of the enduring power of religion in shaping society's beliefs. Vincenzo Pirozzi's photograph beautifully captures every detail of this remarkable sculpture, allowing viewers to appreciate its artistic brilliance even from afar.

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