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Poster Print : Napoleon Bonaparte and the Revolutionary Army looting artworks and relics in Milan during the Italian Campaign, 1796. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T
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Napoleon Bonaparte and the Revolutionary Army looting artworks and relics in Milan during the Italian Campaign, 1796. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T
FLO4608599 Napoleon Bonaparte and the Revolutionary Army looting artworks and relics in Milan during the Italian Campaign, 1796. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.; (add.info.: Napoleon Bonaparte and the Revolutionary Army looting artworks and relics in Milan during the Italian Campaign, 1796. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.); © Florilegius
Media ID 38094254
© © Florilegius / Bridgeman Images
Angleterre Bonaparte Famille Emperor Napoleon Flat France Francais Francaise Francaises George Cruikshank Hudibrastic Poem By Doctor Syntax Italian Campaign Italie Kite Lombardie Looting Milan Napoleon Bonaparte Napoleon I 1769 1821 Napoleon I 1st 1st Bonaparte 1769 1821 Plate Plunder Relics Revolutionary Army Roman Art Spoils Of War The Life Of Napoleon Grande Bretagne
20x30 inch Poster Print
Step back in time with our historical poster print featuring Napoleon Bonaparte and the Revolutionary Army looting artworks and relics in Milan during the Italian Campaign of 1796. This handcoloured copperplate engraving by George Cruikshank captures a pivotal moment in history, perfect for adding a touch of intrigue to your space. Available now from Media Storehouse.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured copperplate engraving by George Cruikshank captures a pivotal moment during the Italian Campaign of 1796, where Napoleon Bonaparte and the Revolutionary Army are depicted looting artworks and relics in Milan. The scene is chaotic yet detailed, showing soldiers carrying off precious vases, Roman art pieces, and other cultural treasures as spoils of war.
The image not only showcases the plundering nature of warfare but also highlights Napoleon's strategic approach to securing power through control of valuable artifacts. The juxtaposition of military might with artistic beauty creates a striking visual narrative that speaks to the complexities of conquest and colonization.
As we gaze upon this historical print, we are reminded of the destructive impact that war can have on cultural heritage. The carving out of statues and plates from their rightful place in Milan serves as a stark reminder of the price paid for territorial expansion.
Through this artwork, we are transported back in time to witness firsthand the ruthless ambition and calculated tactics employed by Napoleon during his rise to power. It is a sobering reflection on how art and history intertwine with politics and conflict, leaving us to ponder the lasting legacy of such actions on our shared human experience.
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