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Poster Print : A Banquet in the Ruins of a Temple, 1795 (oil on canvas)

A Banquet in the Ruins of a Temple, 1795 (oil on canvas)




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A Banquet in the Ruins of a Temple, 1795 (oil on canvas)

3941053 A Banquet in the Ruins of a Temple, 1795 (oil on canvas) by Robert, Hubert (1733-1808); 100.01 x 86.04 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.:
); French, out of copyright

Media ID 23259576

© Bridgeman Images

18th Colonnade Decay Doric Eighteenth Pillars Republic Robert Of The Ruins Ruined


18x24 inch Poster Print

Experience the enchanting allure of history with Media Storehouse's Poster Prints featuring Bridgeman Images' "A Banquet in the Ruins of a Temple" (3941053), an oil on canvas masterpiece by Robert Hubert from Fine Art Finder. This captivating 18th-century artwork, currently housed at Yale University Art Gallery, showcases a grand banquet scene unfolding amidst the ruins of a temple. Add an air of sophistication and intrigue to your space with this stunning, high-quality poster print. Immerse yourself in the rich history and artistic detail of this French masterpiece.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Artists > H > Hubert Hubert

> Arts > Artists > R > Hubert Robert

> Arts > Artists > R > Hubert Roberts

> Arts > Artists > R > Roman Roman

> Arts > Fine Art

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings

> Arts > Still life artwork > Oil paintings > Landscape paintings


A Banquet in the Ruins of a Temple, 1795

EDITORS COMMENTS
is a captivating oil painting by Robert Hubert that transports us to an enchanting landscape filled with decay and mystery. The scene depicts a group of European figures gathered around a table set amidst the ruins of an ancient temple. Pillars and columns stand tall, remnants of what was once a grand structure. Hubert's attention to detail brings this classical setting to life, capturing the essence of 18th-century France. The ruined stone walls create an atmosphere of nostalgia and melancholy, evoking thoughts of past glory and lost civilizations. The artist skillfully portrays the figures engaged in conversation and enjoying their meal, creating a sense of camaraderie within this desolate backdrop. It is as if they have found solace amidst the ruins, finding beauty even in decay. The painting's composition draws our eyes towards the colonnade at the center, emphasizing its importance within this picturesque countryside scene. The Doric temple serves as both a reminder of Roman influence on French culture and as a symbol for republicanism during this time period. "A Banquet in the Ruins of a Temple" invites viewers to reflect on themes such as transience, mortality, and resilience. It reminds us that even amid destruction and change, there is still room for celebration and connection. This masterpiece stands as testament to Hubert's ability to capture not only physical landscapes but also emotions that transcend time itself.

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