Poster Print : E. Pierson as Kabri le Sabotier in Kabri ou les Chiquenaudes by Moreau and Sewrin, Theatre de la Porte St. Martin, 1822. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different

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E. Pierson as Kabri le Sabotier in Kabri ou les Chiquenaudes by Moreau and Sewrin, Theatre de la Porte St. Martin, 1822. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different

FLO4606814 E. Pierson as Kabri le Sabotier in Kabri ou les Chiquenaudes by Moreau and Sewrin, Theatre de la Porte St. Martin, 1822. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.; (add.info.: E. Pierson as Kabri le Sabotier in Kabri ou les Chiquenaudes by Moreau and Sewrin, Theatre de la Porte St. Martin, 1822. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.); © Florilegius

Media ID 38463482

© © Florilegius / Bridgeman Images

Acteur Alexandre Marie Colin Clogs Internship Lavigne Marin Marine Lavigne Martin Martins Porte Theatre Moreau Theatre De La Porte St Vaudeville Noel Pierson

18x24 inch Poster Print

Step into the world of 19th-century theatre with our Media Storehouse range of Poster Prints! This stunning piece features E. Pierson as Kabri le Sabotier in "Kabri ou les Chiquenaudes", a handcoloured lithograph from 1822. Originally illustrated by Lavigne Marin and published in "Portraits d'Acteurs et d'Actrices dans different" by Bridgeman Images, this rare find is now available as a high-quality print for your walls. A must-have for art lovers and theatre enthusiasts alike!

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

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EDITORS COMMENTS
This stunning handcoloured lithograph captures E. Pierson in the role of Kabri le Sabotier in "Kabri ou les Chiquenaudes" at the Theatre de la Porte St. Martin in 1822. The intricate details of Pierson's costume and expression bring to life the character of the clogmaker on stage, showcasing the talent and dedication of both the actor and the artists who captured this moment. The illustration by Lavigne Marin, beautifully reproduced by F. Noel, transports us back to early 19th century France, where vaudeville theatre was a popular form of entertainment. Pierson's portrayal of Kabri is filled with emotion and depth, drawing viewers into the world of this comedic play with his expressive performance. As we admire this portrait of E. Pierson as Kabri le Sabotier, we are reminded of the rich history and artistry that thrived in European theatre during this time period. The attention to detail in both costume design and acting highlights the skill and creativity that went into bringing characters like Kabri to life on stage. This print serves as a beautiful homage to not only E. Pierson's performance but also to the vibrant theatrical scene that flourished at Theatre de la Porte St. Martin in 1822. It is a testament to the enduring power of live performance and storytelling throughout history.

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