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Poster Print : A Nymph taking a Thorn out of a Greyhounds Foot, 1848 (stone sculpture)

A Nymph taking a Thorn out of a Greyhounds Foot, 1848 (stone sculpture)




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A Nymph taking a Thorn out of a Greyhounds Foot, 1848 (stone sculpture)

LMG109215 A Nymph taking a Thorn out of a Greyhounds Foot, 1848 (stone sculpture) by Wyatt, Richard James (1795-1850); height: 193 cm; Leeds Museums and Art Galleries (Temple Newsam House) UK; eLeeds Museums and Galleries; British, out of copyright

Media ID 23255986

© Leeds Museums and Galleries / Bridgeman Images

Chien Levrier Nymphe Tirer Neoclassical


20x30 inch Poster Print

Bring the timeless beauty of art into your home with our Media Storehouse range of Poster Prints. This captivating image features "A Nymph taking a Thorn out of a Greyhound's Foot," a stunning 1848 stone sculpture by renowned English artist, Richard James Wyatt. The intricate details of the sculpture come alive in this high-quality print, transporting you to a world of mythology and grace. Add this exquisite piece to your decor and let the story of the nymph and the faithful greyhound be a daily reminder of the power of love and compassion.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 51.4cm x 76.8cm (20.2" x 30.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Frans II Pourbus

> Fine Art Finder > Artists > Richard James Wyatt

> Fine Art Finder > Sculpture 19th/later 20th C

> Animals > Mammals > Dogs (Domestic) > Hound > Greyhound

> Animals > Mammals > Muridae > House Mouse

> Arts > Art Movements > Neoclassicism

> Arts > Sculpture

> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
This photograph captures the essence of Richard James Wyatt's stone sculpture, "A Nymph taking a Thorn out of a Greyhound's Foot". The image showcases the intricate details and delicate beauty of this neoclassical masterpiece. The sculpture depicts a graceful nymph, elegantly dressed in flowing robes, kneeling beside a majestic greyhound. With gentle care and compassion, she delicately removes a thorn from the dog's paw. The artist skillfully captures the moment of tenderness between these two beings, evoking emotions of empathy and relief. The composition is enhanced by the contrast between light and shadow, emphasizing the textures and contours of both figures. The fine lines etched into the stone bring life to every fold in the nymph's garments and every strand in her hair. Meanwhile, the greyhound exudes strength and loyalty through its powerful stance. Wyatt's attention to detail is evident not only in his depiction of human form but also in his portrayal of animals. This sculpture serves as a testament to his mastery as an artist. Displayed at Leeds Museums and Art Galleries' Temple Newsam House in the UK, this print offers viewers an opportunity to appreciate Wyatt's talent even if they cannot experience it firsthand. It invites us into a world where mythical creatures coexist with loyal companions while reminding us that acts of kindness can be found even within works of art.

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