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Poster Print : First World War (1914-1918): Cartoon of German peace: the great peace bazaar, the manager of the store Wilhelm (William II, 1859-1941) offers considerable discounts for used land, settlements
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First World War (1914-1918): Cartoon of German peace: the great peace bazaar, the manager of the store Wilhelm (William II, 1859-1941) offers considerable discounts for used land, settlements
LSE4088843 First World War (1914-1918): Cartoon of German peace: the great peace bazaar, the manager of the store Wilhelm (William II, 1859-1941) offers considerable discounts for used land, settlements, hostage sale and promotion of Russian freedom and the League of Nations - Drawing by Abel Faivre (1867-1945), for the cover of Le Rire Rouge, November 2, 1918 by Faivre, Jules Abel (1867-1945); Private Collection; (add.info.: First World War (1914-1918): Cartoon of German peace: the great peace bazaar, the manager of the store Wilhelm (William II, 1859-1941) offers considerable discounts for used land, settlements, hostage sale and promotion of Russian freedom and the League of Nations - Drawing by Abel Faivre (1867-1945), for the cover of Le Rire Rouge, November 2, 1918); Photo © Leonard de Selva
Media ID 28005494
© Leonard de Selva / Bridgeman Images
Abel Faivre Department Store Faivre Abel 1867 1945 Faivre Jules Abel Peace Sign William Ii 1859 1941 1914 1918 Wwi Ww One First World War 1914 1918 First World War 1st World War
18x24 inch Poster Print
Step back in time with our captivating selection from the Media Storehouse range of First World War Poster Prints. This intriguing piece, titled "Cartoon of German peace: the great peace bazaar," depicts a satirical scene where Wilhelm II (1859-1941), the German Emperor, acts as the manager of a peace bazaar, offering significant discounts on used land. The cartoon, created by the talented Leonard de Selva, is a thought-provoking reminder of historical events. Add this unique and engaging piece to your collection and bring a piece of history into your home or office.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a powerful cartoon from the First World War era. Titled "German peace: the great peace bazaar" it depicts Wilhelm II, also known as William II, offering significant discounts for various items in his store. The manager of this unique establishment is none other than Wilhelm himself, who was the German Emperor during that time. In this satirical artwork by Abel Faivre, created for the cover of Le Rire Rouge on November 2,1918, we see Wilhelm promoting used land and settlements at reduced prices. Additionally, he advertises a hostage sale and even promotes Russian freedom and the League of Nations. The cartoon serves as a commentary on Germany's attempts to negotiate peace towards the end of World War I. It portrays Wilhelm as an opportunistic salesman trying to salvage what he can from a devastating conflict that had ravaged Europe for four long years. Abel Faivre's skillful drawing brings out both humor and irony in this piece. Through clever imagery and symbolism, he highlights how Germany sought to manipulate its position in post-war negotiations while attempting to present itself as an advocate for peace. This remarkable print not only provides insight into historical events but also showcases Faivre's artistic talent in capturing complex political themes through satire.
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