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Poster Print : Baptism of the Moors, by Felipe Bigarny (1475-1543), Capilla Real, Granada, Andalusia
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Baptism of the Moors, by Felipe Bigarny (1475-1543), Capilla Real, Granada, Andalusia
MAE176968 Baptism of the Moors, by Felipe Bigarny (1475-1543), Capilla Real, Granada, Andalusia, Spain by Spanish School; Capilla Real, Granada, Spain; (add.info.: Royal Chapel, Cathedral of Granada; baptism of the Moorish of the Kingdom of Granada; polychromed wood relief by Felipe Bigarny; Abu Abdallah Muhammad XII, Muhammed XII of Granada, twenty-second and last Nasrid ruler of Granada in Iberia; summoned by Ferdinand and Isabella to surrender the keys of Granada; eventually surrendered in 1492 and moved out of Granada; and Moors who remained had to convert to Christianity; ); ePaul Maeyaert; Spanish, out of copyright
Media ID 23197660
© Paul Maeyaert / Bridgeman Images
Baptising Christening Font Gathering Holy Water Moor Moorish Panel Pouring Religious Conversion Retable Rite Tonsure Monks
18x24 inch Poster Print
Experience the rich history and culture of Andalusia with our stunning poster prints from Media Storehouse. This beautiful artwork, titled "Baptism of the Moors" by Felipe Bigarny (1475-1543), captures the iconic scene of the Capilla Real in Granada, Spain. The intricate details of this Spanish School masterpiece come to life in our high-quality poster prints, transporting you to the heart of Andalusian art. Add this captivating piece to your home or office decor and bring a touch of history and sophistication to your space. Copyright Paul Maeyaert, Fine Art Finder (MAE176968).
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the remarkable artwork of "Baptism of the Moors" by Felipe Bigarny, located in the Capilla Real (Royal Chapel) in Granada, Andalusia, Spain. Created during the Renaissance period, this polychromed wood relief depicts a significant historical event - the baptism of Moorish individuals from the Kingdom of Granada. The intricate details and vibrant colors of this panel bring to life an important moment in history. The central figure is Abu Abdallah Muhammad XII, also known as Muhammed XII or Boabdil, who was the last Nasrid ruler of Granada. Summoned by Ferdinand and Isabella to surrender his kingdom's keys, he eventually surrendered in 1492 and left Granada. Surrounding him are other Moors who chose to convert to Christianity after their defeat. This baptism ceremony symbolizes their religious conversion and signifies a turning point for these individuals as they embrace a new faith. The presence of monks pouring holy water into a font adds depth and solemnity to this scene. It highlights not only the spiritual significance but also emphasizes how deeply rooted Christianity was becoming within these newly conquered lands. Through this photograph captured by Paul Maeyaert, viewers can appreciate both the artistic mastery behind Felipe Bigarny's work and gain insight into an important chapter in Spanish history - one that marked cultural transformation through religious conversion.
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