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Poster Print : Satire depicting the deposed Moroccan Sultan Abdelaziz and the Ottoman Sultan Abdul Hamid II. (colour litho)

Satire depicting the deposed Moroccan Sultan Abdelaziz and the Ottoman Sultan Abdul Hamid II. (colour litho)




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Satire depicting the deposed Moroccan Sultan Abdelaziz and the Ottoman Sultan Abdul Hamid II. (colour litho)

2786558 Satire depicting the deposed Moroccan Sultan Abdelaziz and the Ottoman Sultan Abdul Hamid II. (colour litho) by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); Private Collection; (add.info.: Satire depicting the deposed Moroccan Sultan Abdelaziz and the Ottoman Sultan Abdul Hamid II. Illustration for Le Rire, 19 September 1908.); © Look and Learn

Media ID 22892876

© Look and Learn / Bridgeman Images

Abdul Hamid Ii Arabic Begging Deposed Guitar Hard Times Le Rire Moroccan Ottoman Empire Performing Poodle Singing Sultan Abdelaziz Caricatures


18x24 inch Poster Print

Step back in time with our captivating Satire print from the Media Storehouse collection, featuring an intriguing image of the deposed Moroccan Sultan Abdelaziz and the Ottoman Sultan Abdul Hamid II. This stunning color lithograph, sourced from Bridgeman Images through Fine Art Finder, is a mesmerizing work by Ostoya. Delve into the rich history of these two sultans and add a touch of timeless elegance to your space with this exquisite piece of art.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Albert Guillaume

> Fine Art Finder > Artists > Georges d' (1878-1937) Ostoya

> Africa > Morocco > Related Images

> Animals > Mammals > Dogs (Domestic) > Utility > Poodle Standard

> Arts > Literature > Magazines

> Arts > Pop art > Satire > Humorous artworks

> Arts > Pop art > Satire > Satirical artwork

> Asia > Turkey > Related Images

> Europe > France > Music

> Europe > France > Royalty

> Humour > Cartoon

> Humour > Postcard


EDITORS COMMENTS
This colorful lithograph print captures a satirical moment in history, depicting the deposed Moroccan Sultan Abdelaziz and the Ottoman Sultan Abdul Hamid II. Created by Georges d'Ostoya, also known as Dochinsky or Sochinsky, this artwork was featured in the magazine Le Rire on September 19th, 1908. The image showcases a humorous scene filled with caricatures and witty commentary. The two sultans are portrayed in exaggerated costumes, highlighting their royal status while poking fun at their political power. A poodle accompanies them on their walk, adding an amusing touch to the composition. In this satirical drawing, we can see elements of French and Arabic culture intertwined. The artist cleverly uses humor to critique both royalty and politics of that time period. Through his scathing satire, he sheds light on social issues and challenges faced by these monarchies. The print not only serves as a source of entertainment but also offers insight into European perspectives during that era. It reflects the tensions between different nations within Europe and highlights France's influence over its overseas territories. Overall, this artwork is a testament to the power of satire in conveying complex ideas through visual storytelling. It invites viewers to reflect on historical events while enjoying its comical elements.

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