Poster Print : Torn posters, Florence
Poster Prints From Fondazione Alinari per la Fotografia
Torn posters, Florence
Torn posters, Florence Florence. Date of Photograph:11/1951
Balocchi Vincenzo
BVA-S-409069-0012
Media ID 33176564
© Alinari Archives, Florence
Instrument Necessary Tool Manifesto Publicity
20x30 inch Poster Print
Step back in time with Media Storehouse's captivating range of Poster Prints, featuring the evocative image "Torn posters, Florence" by Balocchi Vincenzo from Alinari. Captured in November 1951, this iconic photograph transports you to the heart of Florence as you witness the vibrant energy of the city's streets through the torn remnants of once-adored posters. Bring a piece of timeless Italian charm into your home or office space and add an authentic, vintage touch to your decor. Order your "Torn posters, Florence" Poster Print today.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this print titled "Torn posters, Florence" captured by the talented Balocchi Vincenzo in November 1951, we are transported to the bustling streets of Florence. The image portrays a mesmerizing collage of torn posters adorning a weathered wall, revealing layers upon layers of history and communication. Each fragment tells its own story - a manifesto here, an advertisement there - all merging together to create an intricate tapestry of visual stimuli. These remnants of past events and promotions offer us a glimpse into the vibrant cultural scene that once thrived within these very walls. The torn posters serve as more than just decorative elements; they represent the pulse of urban life itself. They symbolize the constant ebb and flow of ideas, opinions, and messages that shape our society. In their fragmented state, they become an abstract representation of human connection: sometimes broken but always present. Balocchi Vincenzo's keen eye for detail allows us to appreciate not only the artistic beauty found in decay but also highlights how even seemingly insignificant objects can hold immense significance when viewed through his lens. This photograph serves as a reminder that every object has its purpose – whether it be as simple as catching one's attention or conveying information effectively. As we gaze at this remarkable piece from Alinari's collection, we are reminded that photography is not merely about capturing moments frozen in time; it is about preserving fragments of our shared human experience. Through torn posters on a wall in Florence over half a century ago, Balocchi Vincenzo invites us to reflect on the power and necessity of communication while appreciating both artistry and utility intertwined within everyday objects.
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