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Frozen pheasants used for the filming of The Human Factor




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Frozen pheasants used for the filming of The Human Factor

Frozen pheasants used for the filming of The Human Factor starring Richard Attenborough.
July 20th 1979
P044313
DM79/2062/13A

WATFORD

Media ID 21268147

© Mirrorpix

Birds Dead Shooting Wildlife Pheasant


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This print takes us back to the summer of 1979, on the set of the iconic film "The Human Factor" starring Richard Attenborough. Frozen pheasants are meticulously arranged, ready for their crucial role in a pivotal scene. The attention to detail is remarkable as these lifeless creatures become part of a larger narrative. In this snapshot frozen in time, we witness the delicate balance between art and reality. These once majestic birds now lay motionless, forever immortalized through cinematography. Their presence adds an eerie yet authentic touch to the movie's storyline. As we delve into this image, it evokes thoughts about nature's duality – its beauty and fragility juxtaposed with human intervention. We contemplate how these magnificent creatures met their untimely demise for artistic purposes but also acknowledge that such practices were common during that era. Beyond its cinematic significance, this photograph serves as a reminder of our evolving relationship with wildlife throughout history. It sparks conversations about ethical considerations surrounding hunting and animal use within creative industries. Preserved by Memory Lane Prints under reference P044313 from July 20th, 1979 (DM79/2062/13A), this particular print encapsulates an era when capturing realism on screen often meant employing unconventional methods like using frozen animals as props. Let us reflect upon this intriguing piece of cinematic history while acknowledging society's progress towards more humane practices in filmmaking today.

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