Pillow : William Curtis, author of the Flora Londinensis
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William Curtis, author of the Flora Londinensis
William Curtis, author of the Flora Londinensis, Botanical Magazine, etc.. Copperplate engraving of a portrait published in William Curtiss Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805
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Media ID 14208940
© Florilegius / Mary Evans
1805 Botanist Curtis Flora Lambeth Lectures Londinensis
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
William Curtis (1746-1799), a renowned botanist and author, is depicted in this elegant copperplate engraving from his "Lectures on Botany," delivered at the Botanic Garden in Lambeth, London, in 1805. Curtis is best known for his seminal work, "Flora Londinensis," which was published in three volumes between 1777 and 1798. This groundbreaking botanical publication showcased over 1,500 plants native to the British Isles, featuring detailed descriptions and exquisite illustrations. Curtis's dedication to botany began in his youth when he worked as a gardener at the esteemed St. James's Garden in London. His passion for the natural world led him to become a member of the Linnean Society and the founder of the Horticultural Society of London. In addition to his work on "Flora Londinensis," Curtis also contributed significantly to the Botanical Magazine, which was established in 1787. This portrait, captured in the late 18th century, reveals Curtis's intellectual curiosity and commitment to advancing botanical knowledge. The intricately detailed engraving highlights his thoughtful expression and the careful arrangement of his botanical specimens, reflecting the meticulous nature of his work. The portrait serves as a testament to Curtis's enduring legacy in the field of botany and his influence on the development of botanical illustration and publication. This image, a true masterpiece of its time, is a reminder of the rich history of botanical exploration and discovery that continues to inspire and captivate us today.
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