Pillow : Trappist Monk
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Trappist Monk
MONACHUS LATRAPIUS a satirical drawing done at a time when England feared a papal invasion
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 581746
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10028005
1852 Feared Monachus Monk Orders Satirical Trappist
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This satirical drawing from 1852, titled "Trappist Monk (MONACHUS LATRAPIUS)," offers a fascinating glimpse into the historical context of England's fear of a papal invasion. The artist captures the essence of religious tension and political paranoia through their depiction of a Trappist monk, known for their strict monastic lifestyle and dedication to prayer.
The intricate details in this drawing highlight the monk's traditional robes and serene expression, contrasting with the underlying sense of unease that permeates the image. As England grappled with its complex relationship with Catholicism during this time period, satirical works like these served as a form of social commentary and critique.
Through this piece, we are reminded of the power that art has to reflect societal anxieties and challenge prevailing beliefs. The choice to portray a Trappist monk specifically adds another layer to the narrative, shedding light on the diverse religious orders that existed within England at that time.
Mary Evans Picture Library has preserved this historical gem for us to ponder over centuries later, offering a window into a tumultuous period in English history. It serves as a poignant reminder of how art can transcend time and continue to provoke thought and discussion long after its creation.
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