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Maud Allan, The Vision of Salome, Palace Theatre, London
Maud Allan in The Vision of Salome, Palace Theatre, Shaftesbury Avenue, London.
1908
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 19858759
© The Michael Diamond Collection / Mary Evans Picture Library
Allan Avenue Biblical Dancer Exotic Maud Performer Promotional Salome Shaftesbury Vision
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Maud Allan in The Vision of Salome at the Palace Theatre, Shaftesbury Avenue, London, 1908. This postcard image transports us back to the Edwardian era and the world of London's bustling theatre scene. Maud Allan, a renowned English dancer and performer, is depicted in the midst of her mesmerizing interpretation of Salome in this biblical story. The Palace Theatre, a grand and ornate venue, served as the stage for Allan's groundbreaking performance. Allan's portrayal of Salome was an exotic and sensual dance that defied societal norms of the time. Her costume, adorned with rich fabrics and intricate detailing, adds to the allure and mystique of the character. The expression on her face, a perfect blend of intensity and enchantment, captivates the audience's attention. The Vision of Salome was a dance that pushed the boundaries of what was considered acceptable for women on stage during the early 1900s. Allan's performance was a sensation and attracted both praise and controversy. The image on this postcard offers a glimpse into the world of theatre and entertainment during this era, where the classical and the avant-garde collided, and where performers like Maud Allan left lasting impressions on their audiences. This postcard is part of The Michael Diamond Collection at Mary Evans Picture Library and serves as a reminder of the rich history of theatre and dance in London during the early 1900s.
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