Pillow : Disraeli and Asia Minor
Home Decor from Mary Evans Picture Library
Disraeli and Asia Minor
Prime Minister Benjamin Disraeli repairs Asia Minor, claiming this improving of the noble Turk is his proudest work in this satire on early British Colonialism
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4355304
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10192056
1850 Benjamin Claiming Colonialism Crescent D Israeli Improving Minister Minor Moon Noble Prime Puppet Satire
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This thought-provoking print captures the essence of early British colonialism through a satirical lens. In the image, Prime Minister Benjamin Disraeli is depicted repairing Asia Minor, symbolizing his efforts to improve and control the region under British rule. The portrayal of Asia Minor as a toy being manipulated by Disraeli highlights the power dynamics at play during this period in history.
Disraeli's claim that his work in "improving" the noble Turk is his proudest achievement sheds light on the paternalistic attitude of British politicians towards their colonies. The use of satire in this image serves as a critique of the arrogance and self-serving nature of colonial powers, who often viewed themselves as benevolent rulers while exploiting and oppressing indigenous populations.
The crescent moon motif in the background further emphasizes the setting in Turkey, adding an element of historical accuracy to this political commentary. By showcasing Disraeli as a puppet master pulling strings in Asia Minor, this print challenges viewers to reflect on the complexities and consequences of imperialism.
Overall, this print offers a powerful visual representation of early British colonialism and invites viewers to question notions of nobility, power, and control in politics.
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