Pillow : Anna Pavlova / Klods-Hans
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Anna Pavlova / Klods-Hans
ANNA PAVLOVA Russian ballet dancer: a satirical view in a Danish magazine
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Media ID 585414
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10039915
1881 1931 Anna Ballet Dancer Danish Hans Pavlova Satirical Performing
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Anna Pavlova, the legendary Russian ballerina, graces the pages of a Danish magazine in this satirical illustration from 1931. Dressed in her iconic red costume, Pavlova is depicted in mid-performance, her arms outstretched and her eyes focused intently on the horizon. But this is no ordinary portrayal of the dance icon. In the background, a figure labeled "Klods-Hans," or "Clumsy Hans," stumbles and falls, a clear indication that this image is meant to poke fun at Pavlova's reputation for grace and elegance. Born in 1881, Anna Pavlova is considered one of the most influential ballet dancers of all time. Known for her expressive performances and innovative choreography, she brought ballet to the masses, touring extensively around the world and performing for audiences in Europe, America, and beyond. Her signature red costume, which she wore in her most famous solo, "The Dying Swan," became synonymous with her name. Despite her immense popularity, Pavlova was not immune to criticism and satire. This illustration, which appears in a Danish magazine, is just one example of the playful jabs she received from the press. The image pokes fun at the idea of Pavlova as an infallible symbol of grace and beauty, highlighting the human element of her performances and reminding us that even the most celebrated figures are not immune to the whims of satire and humor. This print, from the extensive collection of historical images at Mary Evans Picture Library, offers a unique and intriguing glimpse into the world of Anna Pavlova and the ways in which she was perceived and portrayed in the media of her time.
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