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Pillow : Alphonse Legros (1837-1911). Colored engraving

Alphonse Legros (1837-1911). Colored engraving




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Alphonse Legros (1837-1911). Colored engraving

Alphonse Legros (1837-1911). French painter, engraver and sculptor. The Baptism. Engraving in The Iberian Illustration, 1885. Colored

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14335711

© Thaliastock / Mary Evans

1885 Alphonse Baptism Baptismal Candle Ceremony Faith Font Friar Iberian Infancy Infant Kneel Kneeling Pray Praying Priest Ritual Legros


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This colored engraving, titled "The Baptism," showcases the artistic mastery of Alphonse Legros (1837-1911), a renowned French painter, engraver, and sculptor of the 19th and early 20th centuries. Created in 1885 for The Iberian Illustration, this engraving is a striking representation of a baptismal scene, deeply rooted in European religious tradition. The image transports us to an interior of a church or temple, where a group of men and women gather to witness the baptism of an infant. The ceremony is officiated by a priest, dressed in traditional religious attire, who holds the baby above a large, ornate font filled with water. Two friars stand to the side, their faces expressing solemnity and reverence. The mother, dressed in a modest gown, kneels at the edge of the font, her hands clasped in prayer. Her expression is one of deep faith and devotion as she watches the sacred ritual unfold. The engraving is further enhanced by the use of vibrant colors, which add depth and dimension to the scene. The warm hues of the candles, the cool tones of the stone walls, and the rich reds and blues of the robes create a visual harmony that draws the viewer in. The intricate details of the church interior, from the ornate columns to the intricately designed font, highlight Legros' exceptional skill as an engraver. This work of art is a testament to the enduring power of religious rituals and the deep connection they foster between individuals and their faith. The scene of a baby's baptism is a universal symbol of the beginning of a new life, and Legros' masterful depiction of this moment serves as a poignant reminder of the importance of faith, tradition, and community.

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