Pillow : 1868 / Disraeli Paints
Home Decor from Mary Evans Picture Library
1868 / Disraeli Paints
New Guy Fawkes; or Dizzys chef-d oeuvre. Disraeli depicts Gladstone as Guy Fawkes
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 620363
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10073069
1868 Chef D Israeli Depicts Fawkes Gladstone Paints
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This intriguing print from Mary Evans Picture Library captures a historical moment in British politics with "1868 / Disraeli Paints (New Guy Fawkes; or Dizzys chef-d oeuvre. Disraeli depicts Gladstone as Guy Fawkes)." The image showcases the clever and satirical cartoon created by Benjamin Disraeli, depicting his political rival William Gladstone as the infamous Guy Fawkes.
In this chef-d'oeuvre of political satire, Disraeli uses his artistic talents to mock Gladstone's policies and character, likening him to the notorious figure associated with the Gunpowder Plot of 1605. The use of cartoons in political commentary was a common practice during this time period, allowing politicians like Disraeli to express their opinions and criticisms in a creative and entertaining way.
The image serves as a reminder of the colorful history of British politics in 1868, highlighting the rivalry between two prominent figures - Disraeli and Gladstone. It also reflects the power of visual imagery in shaping public opinion and influencing political discourse.
Overall, this print is not just a snapshot of an event from the past but a fascinating glimpse into how art and politics intersected in Victorian Britain.
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