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Pillow : Verona Sketchbook Study hands page 23 1760 Francesco Lorenzi
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Verona Sketchbook Study hands page 23 1760 Francesco Lorenzi
Verona Sketchbook: Study of hands (page 23), 1760. Francesco Lorenzi (Italian, 1723-1787). Red chalk with white heightening; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18477405
© Liszt Collection
1723 1787 1760 Francesco Lorenzi Hands Red Chalk Study Verona Sketchbook White Heightening
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable page from the Verona Sketchbook, featuring an exquisite study of hands by Francesco Lorenzi. Created in 1760, this Italian artist's work beautifully captures the intricacies and gracefulness of human hands. Rendered with red chalk and white heightening, the delicate lines and shading bring these hands to life on the sheet measuring 32 x 23 cm. The meticulous attention to detail is evident as every crease, wrinkle, and vein is meticulously depicted. Lorenzi's mastery shines through in this particular sketch as he skillfully portrays different hand positions and gestures. Each hand tells its own story - some appear relaxed while others are engaged in expressive movements. It is fascinating to observe how Lorenzi has captured not only the physicality but also the emotions conveyed through these hands. The Verona Sketchbook itself serves as a testament to Lorenzi's talent and dedication as an artist. This precious collection provides us with a glimpse into his creative process, allowing us to appreciate his studies and sketches that ultimately contributed to his finished works. As we admire this print of "Verona Sketchbook: Study of Hands (page 23)", we are reminded of both Lorenzi's artistic brilliance and our own innate connection with our hands – instruments that communicate so much about who we are as individuals.
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