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Thought Death alone Fear Destroys 1795 William Blake
The Thought of Death alone, the Fear Destroys, c. 1795. William Blake (British, 1757-1827). Pencil; sheet: 17 x 30.8 cm (6 11/16 x 12 1/8 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18471282
© Liszt Collection
1757 1827 1795 Pencil Thought William Blake
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this print by William Blake, titled "Thought Death alone Fear Destroys" the artist delves into the profound and complex emotions surrounding mortality. Created in 1795, Blake's pencil strokes bring to life a thought-provoking scene that invites contemplation. The composition centers around the juxtaposition of two contrasting elements: thought and death. The delicate lines capture the ethereal nature of thoughts, while simultaneously conveying their immense power. Thought is depicted as an enigmatic figure, floating gracefully amidst a darkened backdrop. Its presence evokes introspection and intellectual exploration. However, it is fear that takes center stage in this artwork. Symbolized by death itself, fear emerges as a destructive force capable of obliterating even the most profound thoughts. Blake's mastery lies in his ability to convey both fragility and strength through his meticulous pencil work. As we gaze upon this piece from the Liszt Collection, we are reminded of our own mortal existence and confronted with questions about how fear can hinder our capacity for deep thinking and self-discovery. It serves as a poignant reminder to confront our fears head-on so that they do not overpower us or inhibit personal growth. Blake's artistic genius shines through in every stroke of this print, leaving us captivated by its beauty while also challenging us to reflect on our own relationship with mortality and fear.
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