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Pillow : Thomas Newenham, Attributed to Edward Haytley, active 1740-1761, British

Thomas Newenham, Attributed to Edward Haytley, active 1740-1761, British




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Liszt Collection

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Thomas Newenham, Attributed to Edward Haytley, active 1740-1761, British

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12648683

© Quint Lox Limited

1740 1761 Clouds Edward Happiness Oil On Canvas Plumb Pursuit Rock Thomas Attributed Newenham


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases the enigmatic figure of Thomas Newenham, attributed to the talented British artist Edward Haytley. Painted on a canvas with meticulous attention to detail, this oil masterpiece captures Newenham's essence in an intriguing manner. Newenham stands tall and proud, his piercing gaze fixed upon some distant point beyond the frame. A wide-brimmed hat adorns his head, casting a shadow over his face that adds an air of mystery to his persona. The clouds in the background seem to mirror his contemplative state, as if they hold secrets waiting to be unraveled. In this portrait, Newenham appears deep in thought - perhaps pondering life's profound questions or embarking on a personal journey towards happiness. His expression suggests both determination and vulnerability, inviting viewers to delve into their own pursuit of fulfillment. The skillful brushstrokes bring out every nuance of Newenham's features; from the lines etched on his forehead to the subtle play of light and shadow across his visage. This artwork is not merely a depiction but rather an exploration into human emotions and aspirations. Attributed to Edward Haytley during his active years between 1740-1761, this piece exemplifies the artist's ability to capture both physical likeness and inner depth. It serves as a testament not only to Haytley's talent but also as a timeless reminder that our search for happiness is universal across time and cultures.

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