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Ruins Residency Opposite Side Bailee Guard Gate
Ruins of the Residency on the Opposite Side of the Bailee Guard Gate; Felice Beato (English, born Italy, 1832 - 1909); Lucknow, Uttar Pradesh, India; 1858; Albumen silver print
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18490147
© Liszt Collection
1832 1858 1909 Born Italy Felice Beato Gate Lucknow Residency Uttar Pradesh Opposite Side
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "Ruins Residency Opposite Side Bailee Guard Gate" takes us back in time to the year 1858 in Lucknow, Uttar Pradesh, India. The image was skillfully captured by Felice Beato, an English photographer of Italian origin known for his documentation of historical events. The photograph showcases the haunting beauty of the ruins that once stood as a symbol of power and authority. The Residency on the opposite side of the Bailee Guard Gate is depicted in its dilapidated state, revealing the scars left behind by conflict and turmoil. Through this albumen silver print, Beato transports us to a moment frozen in history. We can almost feel the weight of time as we observe every detail meticulously preserved through his lens. The crumbling walls and broken arches tell a story of resilience amidst destruction. The juxtaposition between light and shadow adds depth to this evocative composition. It invites contemplation about how even grand structures can succumb to nature's relentless forces over time. As we gaze upon this remarkable piece from Liszt Collection, we are reminded not only of Lucknow's rich heritage but also our own impermanence. This photograph serves as a poignant reminder that everything eventually fades away; however, it is through art like Beato's that these fragments endure forever.
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