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Pillow : Lion Lioness Pardon Renard Order Animals Forget
Home Decor From Liszt Collection
Lion Lioness Pardon Renard Order Animals Forget
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14069564
© Copyrighted
116 Cm 1621 1675 1650–75 3 11 16 4 9 16 Alkmaar Allart Everdingen Animals Crimes Hendrick Van Alcmar Lion Order Renard Third State Forget
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print from the Liszt Collection titled "Lion Lioness Pardon Renard Order Animals Forget" transports us to a world of intrigue and symbolism. The image showcases an exquisite engraving by Hendrick van Alcmar, dating back to 1650-75. In this masterpiece, we witness a powerful lion and lioness standing side by side, seemingly in deep contemplation. Their majestic presence commands attention as they grant pardon to a cunning fox named Renard. This act of forgiveness is depicted against the backdrop of order and harmony among various animals. The artist skillfully captures the essence of this scene, inviting viewers to reflect on themes such as justice, redemption, and compassion. As we gaze upon this artwork, it becomes evident that crimes committed by Renard are forgotten amidst the unity displayed within nature's realm. Measuring at 3 11/16 x 4 9/16 inches (93 x 116 cm), this print exemplifies Allart Everdingen's mastery in Dutch art during the early modern period. Born in Alkmaar in 1621 and active primarily in Amsterdam until his death in 1675, Everdingen was renowned for his ability to depict landscapes with remarkable detail and emotion. This extraordinary piece serves as a testament to both Van Alcmar's engraving skills and Everdingen's artistic vision. It invites us into a world where animals hold court over their own affairs while reminding us of our capacity for forgiveness even when
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