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Le Kaire Maison et jardin dans le quartier frank




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Le Kaire Maison et jardin dans le quartier frank

Le Kaire. Maison et jardin dans le quartier frank; Maxime Du Camp (French, 1822 - 1894), Louis Desire Blanquart-Evrard (French, 1802 - 1872); Cairo, Egypt; negative January 9, 1850; print 1852; Salted paper print; 21.2 x 14.6 cm (8 3, 8 x 5 3, 4 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18526757

© Liszt Collection

1802 1822 1850 1872 1894 212 X Blanquart Evrard Cairo Camp Dans Frank Jardin Louis Désiré Maxime Du Salted Paper Le Kaire Quartier


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This print titled "Le Kaire Maison et jardin dans le quartier frank" transports us back to 19th-century Cairo, Egypt. The image captures the essence of a bygone era, showcasing a beautiful house and garden nestled in the vibrant neighborhood of Frank. The composition is attributed to Maxime Du Camp, a talented French photographer who lived from 1822 to 1894. Working alongside him was Louis Desire Blanquart-Evrard, another notable French photographer active during the same period (1802 - 1872). Together, they skillfully captured this snapshot using salted paper printing techniques. Measuring at approximately 21.2 x 14.6 cm (8 3/8 x 5 3/4 inches), this print showcases intricate details that bring the scene to life. From the architectural features of the house to the lush greenery in the garden, every element tells a story of its own. While we can only imagine what life was like in Cairo during that time, this photograph allows us a glimpse into history and invites us to explore its rich cultural heritage. It serves as a testament to both Du Camp's and Blanquart-Evrard's talent for capturing moments frozen in time.

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