Pillow : John Faber II after Philip Mercier (Dutch, c
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John Faber II after Philip Mercier (Dutch, c
John Faber II after Philip Mercier (Dutch, c. 1684-1756), Philip Mercier, 1735, mezzotint on laid paper
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12643754
© Quint Lox Limited
1684 1735 1756 John Laid Mercier Mezzotint Philip Faber
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print from the Liszt Collection showcases a mezzotint on laid paper, depicting John Faber II after Philip Mercier's original artwork. The Dutch artist, Philip Mercier, who lived between 1684 and 1756, created this masterpiece in 1735. The image portrays a distinguished gentleman named John Faber II, skillfully captured by Faber himself in his interpretation of Mercier's work. The mezzotint technique used adds depth and texture to the print, enhancing its visual appeal. John Faber II was an accomplished artist known for his exceptional ability to reproduce paintings through engravings and prints. In this particular piece, he pays homage to Philip Mercier's talent by expertly replicating every detail of the original artwork. The choice of laid paper as the medium further enhances the overall aesthetic quality of this print. Laid paper is characterized by its distinctive grid-like pattern formed during production. This unique feature adds a touch of elegance and sophistication to the composition. As part of the Liszt Collection, this print serves as a testament to both artists' remarkable skills and their contribution to art history. It offers viewers an opportunity to appreciate not only John Faber II's technical prowess but also Philip Mercier's artistic vision that inspired it
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