Pillow : Hagar Weeping Gerbrand van den Eeckhout Dutch
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Hagar Weeping Gerbrand van den Eeckhout Dutch
Hagar Weeping; Gerbrand van den Eeckhout (Dutch, 1621 - 1674); early 1640s; Oil on canvas; 76.2 × 68.6 cm (30 × 27 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18493336
© Liszt Collection
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this poignant print from the Liszt Collection, we are presented with Gerbrand van den Eeckhout's masterpiece, "Hagar Weeping". Painted in the early 1640s, this oil on canvas captures a deeply emotional scene that resonates with viewers even today. The composition centers around Hagar, an important biblical figure who was cast out into the wilderness with her son Ishmael. As she sits on a rock amidst barren surroundings, her face is contorted by grief and despair. The artist skillfully conveys Hagar's anguish through his masterful brushwork and use of light and shadow. Van den Eeckhout's attention to detail is evident in every aspect of this painting. From the delicate folds of Hagar's garments to the intricate textures of the rocks beneath her feet, each element contributes to the overall narrative. The muted color palette adds to the somber mood and emphasizes Hagar's isolation. This artwork serves as a powerful reminder of human suffering and resilience throughout history. It invites us to reflect upon themes such as exile, loss, and redemption. Van den Eeckhout's ability to capture raw emotion makes "Hagar Weeping" an enduring work that continues to touch hearts centuries after its creation. As we contemplate this print reproduction from the Liszt Collection, let us be moved by Hagar's tears and find solace in our shared humanity.
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