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Coat Arms Sara van Os Wife Jan van Reyersbergh
Coat of Arms of Sara van Os, Wife or Jan van Reyersbergh with its eight quarterings, The arms of Sara van Os (born 1610), wife of Jan van Reyersbergh, with her eight quarters: van Os, van der Piet, Dockters, Kivit Wijs, Berrewijns, Webbe and van E Zeker. heraldry, anonymous, Northern Netherlands, 1650 - 1699, canvas, oil paint (paint), h 46.8 cm × w 37.4 cm × d 4.7 cm h 55.4 cm × w 46.0 cm × d 9.8 cm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19556339
© Artokoloro
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the Coat of Arms of Sara van Os, a woman of noble lineage and the esteemed wife of Jan van Reyersbergh. Painted in the 17th century by an anonymous artist from the Northern Netherlands, this piece exudes elegance and heraldic grandeur. The coat of arms is meticulously depicted with its eight quarterings, representing Sara's illustrious family history. Each quarter displays a unique emblem: van Os, van der Piet, Dockters, Kivit Wijs, Berrewijns, Webbe, and van E Zeker. These symbols symbolize not only her ancestry but also her status within society. Rendered on canvas using oil paint techniques, this artwork measures approximately 46.8 cm in height by 37.4 cm in width and has a depth of 4.7 cm. The frame adds further dimension to the piece with dimensions measuring at 55.4 cm in height by 46.0 cm in width and a depth of 9.8 cm. This remarkable composition offers us a glimpse into the world of Dutch heraldry during the Baroque period while honoring Sara's prestigious heritage as well as her union with Jan van Reyersbergh. It serves as a testament to their social standing and reminds us that art can be both aesthetically pleasing and historically significant.
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