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Pillow : Algiers bombed by the French in 1682, Jan Luyken, Jurriaen van Poolsum, 1689

Algiers bombed by the French in 1682, Jan Luyken, Jurriaen van Poolsum, 1689




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Liszt Collection

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Algiers bombed by the French in 1682, Jan Luyken, Jurriaen van Poolsum, 1689

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12714833

© Quint Lox Limited

1682 1689 Algiers Attack Jan Luyken Jurriaen Van Poolsum Siege Bombed


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
In this print titled "Algiers bombed by the French in 1682" created by Jan Luyken and Jurriaen van Poolsum in 1689, we are transported back to a significant historical event. The image depicts the intense attack and siege on Algiers, carried out by the French forces. The scene is filled with chaos and destruction as bombs rain down upon the city, engulfing it in flames. The artists have masterfully captured the sheer devastation of war through their intricate details and use of contrasting shades. Smoke billows into the sky, obscuring parts of the cityscape while highlighting others. This print serves as a powerful reminder of the brutal realities faced during times of conflict. It invites us to reflect on both the human cost and political motivations behind such actions. As viewers, we are compelled to imagine what life must have been like for those caught in this violent storm. Quint Lox's inclusion of this particular piece from Liszt Collection showcases his appreciation for historical art that captures pivotal moments in time. Through this striking visual representation, he encourages us to delve deeper into our understanding of past events and their lasting impact on societies worldwide.

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