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Pillow : 1797-1858 1830 1858 Ajisai Ando Hiroshige Hydrangea

1797-1858 1830 1858 Ajisai Ando Hiroshige Hydrangea




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1797-1858 1830 1858 Ajisai Ando Hiroshige Hydrangea

Ajisai ni kawasemi, Hydrangea and Kingfisher. Andō, Hiroshige, 1797-1858, artist, [between 1830 and 1858, printed later], 1 print : woodcut, color. Print shows a kingfisher above hydrangea blossoms

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12670587

© Quint Lox Limited

1797 1858 1830 1858 Ando Blossoms Hiroshige Kingfisher Printed Shows Hydrangea


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
Step into the serene world of 19th-century Japan with this exquisite print by renowned artist Andō Hiroshige (1797-1858). 'Ajisai ni kawasemi, Hydrangea and Kingfisher' is a stunning example of ukiyo-e woodblock printing, showcasing Hiroshige's mastery of color and composition. The delicate petals of the hydrangea blossoms seem to dance in harmony with the majestic kingfisher perched above, its iridescent feathers glistening in the soft light. Printed between 1830 and 1858, this work is a testament to Hiroshige's innovative approach to traditional Japanese art forms. His use of bold colors and intricate details creates a sense of depth and dimensionality, drawing the viewer into the tranquil scene before them. This beautiful print is not only a celebration of nature's beauty but also an homage to the fleeting moments that make life so precious. As we gaze upon this breathtaking image, we are reminded to appreciate the simple joys that surround us – much like Hiroshige did during his own lifetime as he captured these ephemeral moments on paper.

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