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Pillow : Martin - Construction in Aluminium DP182019
Home Decor from Historic England
Martin - Construction in Aluminium DP182019
Department of Engineering, Cambridge University, Trumpington Street, Cambridge. Construction in Aluminium sculpture by Kenneth Martin. View from east. Photographed by Patricia Payne, 2015
Historic England is the public body that champions and protects England's historic places
Media ID 11604097
© Historic England
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Historic England
> Fine Art
> Post War public sculpture
> Europe
> United Kingdom
> England
> Cambridge
> Europe
> United Kingdom
> England
> Sculptures
EDITORS COMMENTS
This print captures the essence of Kenneth Martin's remarkable sculpture, "Martin - Construction in Aluminium DP182019" located at the Department of Engineering, Cambridge University. Patricia Payne skillfully photographed this post-war masterpiece from an eastern perspective, allowing us to appreciate its intricate details and imposing presence. The sculpture itself is a testament to Martin's artistic genius and his mastery over aluminium as a medium. Its sleek lines and geometric forms harmoniously blend with the surrounding architectural landscape, creating a visual symphony that seamlessly integrates art with engineering. Payne's expert lens perfectly captures the play of light on the metallic surface, accentuating its reflective qualities while adding depth and dimensionality to the composition. The juxtaposition of shadow and shine further enhances our understanding of Martin's intentions behind this creation. As we gaze upon this photograph, we are transported back in time to witness an era when innovation was paramount. This artwork stands as a symbol of progress and human ingenuity within academia—an embodiment of Cambridge University's commitment to pushing boundaries in both science and aesthetics. Through Payne's lens, we are invited into a world where art meets technology—a realm where imagination takes tangible form through metalwork. This print serves as a timeless reminder that beauty can be found not only in nature but also in man-made creations that challenge conventions and inspire generations to come.
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