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Pillow : A Unwelcome customer, 1772. Artist: Caldwell
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A Unwelcome customer, 1772. Artist: Caldwell
A Unwelcome customer, 1772. A bull bursts into a shop, shocking the lady customers who drop the samples of lace they were looking at. The bull has a fur muff on one horn. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917464
© The Print Collector / Heritage-Images
Amazed Amazement Barking Bull Collet Collett Customer Draper Drapers Shop Drapery Emily Morse Emily Morse Symonds Farmer George Paston Horns John Collet John Collett Muff Paston Shock Staff Symonds Caldwell
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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A Unwelcome Customer, 1772
EDITORS COMMENTS
is a captivating print that transports us back to the bustling streets of eighteenth-century Britain. In this humorous scene captured by artist Caldwell, chaos ensues as a bull unexpectedly barges into a draper's shop. The startled lady customers drop their delicate lace samples in shock, their faces reflecting sheer amazement at the unusual sight before them. The bull, adorned with a fur muff on one horn, adds an element of whimsy to the composition. Its presence disrupts the otherwise orderly interior of the shop, causing both laughter and panic among its occupants. A small dog barks excitedly at this unexpected intruder while staff members desperately try to control the situation. This satirical illustration from "Social Caricature in the Eighteenth Century" showcases not only fashion and occupation but also highlights societal norms and reactions to unexpected events. It offers a glimpse into daily life during this period through its intricate details: from intricately dressed women examining lace samples to men going about their business amidst chaos. Through George Paston's pseudonym Emily Morse Symonds' collection of over two hundred illustrations, we are transported back in time to witness moments like these that blend humor with social commentary. This particular artwork by Caldwell captures an unforgettable moment where tradition collides with unpredictability – reminding us that even centuries ago, surprises could be found around every corner.
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