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Pillow : Not So Very Unreasonable!!! Eh? (from "Punch"), 1848. Creator: Anonymous. Not So Very Unreasonable!!! Eh? (from "Punch"), 1848. Creator: Anonymous
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Not So Very Unreasonable!!! Eh? (from "Punch"), 1848. Creator: Anonymous. Not So Very Unreasonable!!! Eh? (from "Punch"), 1848. Creator: Anonymous
Not So Very Unreasonable!!! Eh? (from "Punch"), 1848. Private Collection
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Media ID 36259349
© Fine Art Images/Heritage Images
Chartism Great Britain Chartists
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Not So Very Unreasonable!!! Eh?
EDITORS COMMENTS
is a satirical lithographic print from the renowned British weekly publication, "Punch," published in 1848. The creator of this piece remains anonymous, reflecting the collective voice of the publication. This caricature is a significant historical artifact, providing insight into the social and political climate of Great Britain during the Chartist movement. The Chartists were a working-class political movement advocating for democratic reforms, including universal male suffrage, equal representation, and annual parliaments. Their demands were encapsulated in the People's Charter, presented to Parliament in 1839. The movement gained momentum throughout the 1830s and 1840s, leading to numerous protests and clashes with authorities. This print, titled "Not So Very Unreasonable!!! Eh?" depicts a group of Chartists, led by a figure labeled "Charter," presenting their demands to a group of politicians. The politicians, represented as a group of well-dressed, smug men, are dismissive and uninterested, with one even dozing off. The caption above the scene reads, "Not So Very Unreasonable, Eh?" - a sarcastic commentary on the politicians' perception of the Chartists' demands. The use of humor and satire in this print underscores the political tension and social commentary of the time. The print serves as a reminder of the complexities of democratic reform and the role of satire in shaping public opinion. This historical artifact, from the private collection, is an essential addition to any study of British history, graphic arts, or political satire.
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