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Pillow : The Stone Temple and Statue of Zeus in Europe (Yoroppashu sekizo kyo mokudo jinkyo), from... n.d.. Creator: Utagawa Kuninaga
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The Stone Temple and Statue of Zeus in Europe (Yoroppashu sekizo kyo mokudo jinkyo), from... n.d.. Creator: Utagawa Kuninaga
The Stone Temple and Statue of Zeus in Europe (Yoroppashu sekizo kyo mokudo jinkyo), from the series " Newly Published Dutch Perspective Pictures (Shinpan Oranda uki-e)", n.d
Heritage Images features heritage image collections
Media ID 25324821
© Heritage Art/Heritage Images
Cartouche Curtain Curtains Drapes Four People Oban Perspective Soft Furnishing Color Woodblock Print Stone Temple
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Stone Temple and Statue of Zeus in Europe - A Glimpse into 19th Century Japan
EDITORS COMMENTS
. This woodblock print, created by Utagawa Kuninaga during the Edo period in Japan, transports us to a time when the wonders of Europe were brought to life through art. The print is part of the renowned series "Newly Published Dutch Perspective Pictures" which aimed to depict European scenes for Japanese audiences. In this particular artwork, we find ourselves inside an exquisite room adorned with vibrant red curtains and soft furnishings. Four individuals stand before a large color woodblock print that showcases the majestic Stone Temple and Statue of Zeus in Europe. The attention to detail is remarkable as every intricate feature of the temple and statue comes alive through Kuninaga's masterful use of block printing techniques. The presence of religious elements adds depth to this composition, highlighting Japan's fascination with different cultures and religions during that era. As we gaze at this artwork, we are reminded not only of the artist's skill but also his ability to transport viewers across continents and centuries. Today, housed within the Art Institute Chicago's collection, this piece serves as a testament to both Japanese artistic heritage and its enduring curiosity about distant lands. It invites us on a visual journey bridging East and West while showcasing Utagawa Kuninaga's talent for capturing beauty from afar.
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