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Pillow : Pope Innocent X, c1650. Artist: Diego Velazquez
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Pope Innocent X, c1650. Artist: Diego Velazquez
Pope Innocent X, c1650. Pope Innocent X (1574-1655), born Giovanni Battista Pamphilj. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker. [National Gallery of Art, Washington D.C. Random House, New York, N.Y. 1944]
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Media ID 14996546
© The Print Collector
Andrew W Andrew W Mellon Cairns Diego Diego Rodr Guez De Silva Diego Rodríguez De Silva Y Velázquez Diego Velazquez Giovanni Battista Giovanni Battista Pamphilj Huntingdon Huntingdon Cairns Innocent X John Walker Masterpieces Of Painting Mellon Pamphili Pope Pope Innocent X Velazquez Walker Pamphilj Roman Catholicism
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the iconic painting of Pope Innocent X, created around 1650 by the renowned artist Diego Velazquez. The subject of this masterpiece is Pope Innocent X, also known as Giovanni Battista Pamphilj (1574-1655), who was born with a different name before assuming his papal title. Housed in the Mellon Collection at the National Gallery of Art in Washington DC, this artwork exemplifies the beauty and depth of religious art during the Baroque era. With its vibrant colors and meticulous attention to detail, Velazquez skillfully captures both the physical likeness and spiritual essence of Pope Innocent X. The direct gaze of the pope conveys a sense of authority and introspection, while his regal attire symbolizes his position within Roman Catholicism. This portrait serves as a testament to Velazquez's mastery in capturing human emotion through brushstrokes. Published in "Masterpieces of Painting" edited by Huntington Cairns and John Walker in 1944, this photograph preserves an important piece from art history for future generations to admire. It allows viewers to appreciate not only Velazquez's artistic brilliance but also offers insight into the cultural and religious significance that surrounded figures like Pope Innocent X during the seventeenth century. As we delve into this image, we are transported back in time to witness a moment frozen forever on canvas—a powerful reminder of how art can transcend centuries and continue to inspire awe and contemplation today.
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