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Pillow : Namur. On the Sambre, 1850. Artist: R Brice

Namur. On the Sambre, 1850. Artist: R Brice




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Namur. On the Sambre, 1850. Artist: R Brice

Namur. On the Sambre, 1850. After George Shepherd (1784?1862). From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]

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Media ID 14976056

© The Print Collector

Belgian Continental Tourist Fishing Fishing Net George Shepherd Namur Parry And Parry And Co Pulling River Sambre Rope Sambre Shepherd Towpath Wallonia Brice


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Horses > Belgian Horse

> Arts > Artists > S > George Shepherd

> Arts > Artists > W > George White

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Europe > Belgium > Namur

> Europe > Belgium > Posters

> Europe > Belgium > Related Images

> Europe > Belgium > Rivers

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This print, titled "Namur. On the Sambre, 1850" takes us back in time to the enchanting landscapes of 19th century Belgium. The artist, R Brice, skillfully captures a picturesque scene along the river Sambre with meticulous detail. In this bustling outdoor setting, we see a diverse array of elements that bring life to the image. A group of men can be seen engaged in various activities - some tending to their horses while others are pulling on ropes attached to boats along the towpath. Their presence adds a sense of movement and purpose to the scene. The buildings lining both sides of the river exude old-world charm and character. One particular house stands out with its distinct architecture and intricate engravings. It serves as a reminder of Namur's rich history and cultural heritage. As our gaze extends towards the water, we notice fishermen diligently casting their nets into the river in hopes of securing their catch for the day. This glimpse into traditional fishing practices offers insight into daily life during this era. The overall composition is beautifully balanced; nature seamlessly merges with human activity against an idyllic backdrop. The monochrome palette enhances every fine detail captured by Brice's engraving technique. This remarkable print from "The Continental Tourist" publication not only transports us back in time but also invites us to appreciate Belgium's geographical features and historical significance through artistry and storytelling.

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