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Pillow : Hackney Coachman, 1897. Creator: John Leech
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Hackney Coachman, 1897. Creator: John Leech
Hackney Coachman, 1897. Caricature of a London jarvey or jarvie, the driver of a 19th-century hackney coach. This was a hireable vehicle with two horses and six seats, the forerunners of modern taxis. From " The Comic History of England" by Gilbert Abbott A Beckett, with satirical illustrations by John Leech. [Bradbury, Agnew & Co, London, 1897]
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Media ID 18324597
© The Print Collector/Heritage Images
A Beckett Beckett Coachman G A Gilbert Abbott Ga Gilbert Abbott Gilbert A Beckett Gilbert Abbott Gilbert Abbott A Gilbert Abbott A Beckett Hackney Cab Hackney Carriage John Leech Leech Londoner Taxi The Comic History Of England
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Hackney Coachman, 1897
EDITORS COMMENTS
is a captivating print that takes us back to the bustling streets of Victorian London. Created by John Leech as part of "The Comic History of England" this caricature offers a humorous glimpse into the life of a jarvey, the driver of a 19th-century hackney coach. In this satirical illustration, we see a well-dressed coachman seated atop his hireable vehicle with two horses in tow. His coat and hat exude elegance, reflecting the fashion trends of the era. The artist's keen eye for detail transports us to an English countryside road where this jovial character plies his trade. The hackney carriage itself, with its six seats, serves as an early precursor to modern taxis. This image not only captures a moment frozen in time but also provides insight into transportation history and societal norms during that period. John Leech's skillful use of satire adds another layer to this artwork. Through clever exaggeration and wit, he playfully mocks both the profession and its practitioners while offering viewers an amusing commentary on British society. As we admire this remarkable piece from 1897, it reminds us how art can transcend time and bring history alive before our eyes. It invites us to appreciate not only the craftsmanship behind it but also gain deeper insights into past cultures and traditions.
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