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Pillow : Church of Saint John Chrysostom, from the southwest, Yaroslavl, 1911. Creator: Sergey Mikhaylovich Prokudin-Gorsky
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Church of Saint John Chrysostom, from the southwest, Yaroslavl, 1911. Creator: Sergey Mikhaylovich Prokudin-Gorsky
Church of Saint John Chrysostom, from the southwest, Yaroslavl, 1911
Heritage Images features heritage image collections
Media ID 38074984
© Heritage Art/Heritage Images
Blue Sky Brick Colour Separation Negative Dome Domed Jaroslavl Yaroslavskaya Oblast Russia Onion Dome Onion Domes Prokudin Gorsky Sergei Prokudin Gorsky Sergey Prokudin Gorsky Sergey Mikhaylovich Russian Empire Russian Orthodox Sergei Mikhailovich Prokudin Gorsky Sergei Prokudin Gorsky Sergey Mikhaylovich Prokudin Gorsky Sergey Prokudin Gorsky Typical Meeting Of Frontiers
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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> Russian Blue
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> Religious Art
> Religious Architecture
EDITORS COMMENTS
This stunning print captures the Church of Saint John Chrysostom in Yaroslavl, Russia, as seen from the southwest in 1911. The intricate brickwork and domed architecture of this Russian Orthodox church are beautifully showcased against a backdrop of clear blue skies.
Sergey Mikhaylovich Prokudin-Gorsky's keen eye for detail is evident in this image, with every aspect of the building's exterior meticulously captured. The vibrant green onion domes stand out against the earthy tones of the brick facade, creating a striking contrast that draws the viewer in.
As one gazes upon this snapshot from over a century ago, they can't help but feel transported back in time to an era when craftsmanship and religious devotion were paramount. The historical significance of this church is palpable, serving as a reminder of Russia's rich cultural heritage and architectural prowess.
Prokudin-Gorsky's use of color separation negatives adds depth and dimension to the photograph, allowing viewers to appreciate every nuance and detail with clarity. This piece truly encapsulates the beauty and grandeur of Russian architecture during the early 20th century, making it a timeless work of art that continues to captivate audiences today.
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