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Pillow : The Cheeky Chick, 1885. Artist: Joseph Swain
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The Cheeky Chick, 1885. Artist: Joseph Swain
The Cheeky Chick, 1885. Turkey watches as the Treaty of Berlin hatches to reveal a chick with Roumelia and Bulgaria on each wing. This relates to the news that revolution had broken out in Eastern Roumelia and that its union to Bulgaria had been decided. Prince Alexander of Bulgaria agreed and set off for his new territory. The move was opposed by Russia, Germany and Austria as being contrary to the terms of the Treaty of Berlin.From Punch, or the London Charivari, October 3, 1885
Heritage Images features heritage image collections
Media ID 14831929
© The Print Collector / Heritage-Images
Bulgaria Bulgarian Chick Foreign Affairs Foreign Policy Heritage Image Partnership John Tenniel Joseph Swain Sir John Tenniel Swain Tenniel Treaty Turkey Turkish Eggshell Treaty Of Berlin
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The Cheeky Chick, 1885
EDITORS COMMENTS
is a captivating political cartoon by Joseph Swain that depicts the complex dynamics of European politics in the late 19th century. The image showcases a turkey anxiously observing as the Treaty of Berlin hatches to reveal a chick with Roumelia and Bulgaria on each wing. This cleverly symbolizes the news of revolution erupting in Eastern Roumelia and its subsequent union with Bulgaria. The cartoon alludes to Prince Alexander of Bulgaria's acceptance of this union, which was met with opposition from Russia, Germany, and Austria due to perceived violations of the Treaty of Berlin. Swain's satirical portrayal highlights the delicate balance between national aspirations and foreign policy considerations during this period. With intricate engraving techniques reminiscent of Sir John Tenniel's work for Punch magazine, "The Cheeky Chick" captures both the humor and underlying tensions surrounding these events. The monochrome black-and-white aesthetic adds depth to the caricatured figures while emphasizing their historical significance. This print serves as a valuable heritage image that offers insights into diplomatic relations and power struggles at play during one pivotal moment in history. It reminds us how art can be used as a powerful tool for commentary on political affairs, even over a century later.
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