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Pillow : Caritas: Joanna de Geer (1629-1691) with her Children Cecilia Trip (1660-1728)... 1662-1669. Creator: Ferdinand Bol
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Caritas: Joanna de Geer (1629-1691) with her Children Cecilia Trip (1660-1728)... 1662-1669. Creator: Ferdinand Bol
Caritas: Joanna de Geer (1629-1691) with her Children Cecilia Trip (1660-1728) and Laurens Trip (b. 1662), 1662-1669. Other Title(s): Caritas: Joanna de Geer (1629-1691) with her Children Cecilia Trip (1660-1728) and Laurens Trip (b. 1662). A Mother, thought to be Johanna de Geer (1627-1691), and two Children
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Media ID 36321017
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Allegorical Bol Ferdinand Charity Child Care Childcare Curtain Curtains Daughter Drapes Embrace Embracing Ferdinand Bol Ferdinand Boll Ferdinandus Bol Francis Ball Francis Pool Gilded Gilding Gilt Parent Second Wife Soft Furnishing Virtue Wives Allegorical Figure Dutch Golden Age Golden Age
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EDITORS COMMENTS
This oil painting by Ferdinand Bol, titled "Caritas: Joanna de Geer (1629-1691) with her Children Cecilia Trip (1660-1728) and Laurens Trip (b. 1662)," also known as "A Mother and her Two Children," is a beautiful representation of love, compassion, and motherhood during the Dutch Baroque era. The painting, created between 1662 and 1669, depicts Joanna de Geer, believed to be the second wife of Franciscus Trip, tenderly embracing her two children, Cecilia and Laurens. The mother's direct gaze towards the viewer and her gentle touch convey a deep sense of affection and care. The children, dressed in richly colored clothing, gaze at their mother with adoring expressions. Cecilia, the elder daughter, rests her hand on her mother's shoulder, while Laurens, the younger son, reaches up to touch his mother's face. A dog, possibly a symbol of loyalty and faithfulness, lies at their feet, adding to the warmth and intimacy of the scene. The painting's title "Caritas" refers to the Latin word for charity or love. The use of soft furnishings, such as gilded curtains and drapes, adds to the sense of warmth and comfort in the scene. The allegorical figure of Charity, often depicted with a cornucopia or a heart in her hand, is not present in this painting, but the theme of love and compassion is clearly conveyed through the mother's embrace of her children and the tender expressions on their faces. This masterpiece, now housed in the Rijksmuseum in Amsterdam, is a testament to the beauty and richness of Dutch art during the Golden Age. The painting's intricate details, vibrant colors, and emotional depth continue to captivate viewers and inspire wonder and awe.
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