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Pillow : Bullfight, Suerte de Varas, 1824. Artist: Goya, Francisco, de (1746-1828)
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Bullfight, Suerte de Varas, 1824. Artist: Goya, Francisco, de (1746-1828)
Bullfight, Suerte de Varas, 1824. Found in the collection of the J. Paul Getty Museum, Los Angeles
Heritage Images features heritage image collections
Media ID 19045437
© Fine Art Images/Heritage Images
Brutality Bull Bullfight Bullfighter Bullring De 1746 1828 Francisco Goya J Paul Getty Museum Los Angeles Toreador Torero Tradition Atrocities
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the iconic painting "Bullfight, Suerte de Varas" by Francisco Goya, a renowned Spanish artist of the Romanticism era. Created in 1824 and now housed in the esteemed J. Paul Getty Museum in Los Angeles, this masterpiece delves into the dark depths of bullfighting tradition. Goya's brushstrokes vividly depict the atrocities and brutality inherent in this age-old spectacle. The torero stands tall, his red cape billowing as he confronts an enraged bull within a grand bullring. The tension between man and beast is palpable, encapsulating both danger and artistry. Through this powerful image, Goya challenges our perception of entertainment versus cruelty. He forces us to question societal norms that condone such acts of violence for amusement or tradition's sake. With every stroke of oil on canvas, Goya exposes the raw reality behind Spain's beloved pastime. As we gaze upon this fine art composition, we are reminded that beneath its surface lies a deeper narrative about power dynamics and humanity's relationship with nature. It serves as a poignant reminder that even beauty can be found amidst darkness. This print invites us to contemplate not only Goya's artistic genius but also our own complicity in perpetuating traditions rooted in suffering. It urges us to reflect on how we engage with cultural practices that may have outlived their purpose or lost touch with compassion. In essence, "Bullfight, Suerte de Varas"
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