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Pillow : BEELZEBUB, 19th CENTURY. Beelzebub, the Biblical demon prince, Lord of the Flies (Matthew 12: 24): wood engraving, French, 19th century
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BEELZEBUB, 19th CENTURY. Beelzebub, the Biblical demon prince, Lord of the Flies (Matthew 12: 24): wood engraving, French, 19th century
BEELZEBUB, 19th CENTURY.
Beelzebub, the Biblical demon prince, Lord of the Flies (Matthew 12:24): wood engraving, French, 19th century
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7506505
Animal Biblical Cross Bones Prince Satan Skull
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This 19th-century wood engraving showcases the infamous Beelzebub, the demonic prince known as the Lord of the Flies in biblical texts. The French artist skillfully captures the essence of this malevolent figure, depicting him with an air of authority and darkness that sends shivers down one's spine. The intricate details of this print are truly remarkable. Every line and curve brings to life Beelzebub's animalistic features, from his piercing eyes to his menacing horns. A skull rests at his feet, symbolizing death and decay under his dominion. This portrayal serves as a chilling reminder of humanity's eternal struggle against evil forces. The choice of medium adds depth and texture to this haunting image. The wood engraving technique enhances every stroke, creating a sense of movement within the static artwork. It is evident that great care was taken in crafting each element, resulting in a piece that exudes both craftsmanship and artistic vision. As we gaze upon this French masterpiece from centuries past, we cannot help but be captivated by its dark allure. It serves as a testament to our fascination with mythology and our ongoing exploration of good versus evil throughout history.
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