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Ipswich Quayside
Ships and railway wagons at the quayside in Ipswich, Suffolk, on the estuary of the River Orwell, circa 1930. (Photo by Herbert Felton/Hulton Archive/Getty Images)
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Herbert Felton
Media ID 11803644
© 2009 Getty Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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> Herbert Felton (1888-1968) Photography
EDITORS COMMENTS
This print takes us back in time to the bustling Ipswich Quayside in Suffolk, circa 1930. The image, captured by renowned photographer Herbert Felton, showcases a dynamic scene where ships and railway wagons converge at the quayside on the estuary of the River Orwell. The photograph beautifully captures the industrial essence of this historic location. A detailed view reveals a myriad of elements that make up this vibrant scene - from towering warehouses to meticulously lined-up railway wagons waiting to be loaded or unloaded. The absence of people adds an air of serenity and allows us to focus on the intricate details that tell a story about commerce and trade during this era. Felton's masterful use of photography accentuates every texture, creating a timeless aesthetic that transports viewers back in time. Each element within the frame is carefully composed, showcasing Felton's keen eye for capturing both grandeur and subtlety simultaneously. As we gaze upon this remarkable piece, we are reminded not only of Ipswich's rich maritime history but also its significance as an economic hub connecting land and sea transportation routes. This print serves as a testament to Felton's skill as well as his ability to preserve moments frozen in time through his lens.
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