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Pillow : Defoe in the pillory (XXXL)

Defoe in the pillory (XXXL)




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Defoe in the pillory (XXXL)

Defoe in the pillory from the original painting by Eyre Crowe.Engraved by JC Armytage around 1860 and edited by sidney Armytage in the book " Beautiful pictures by british artists" in 1870.AdobeRGB(1998)color profile

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pictore

Media ID 24099193

© pictore

Army Soldier Backgrounds British Military Crowd Crowded Exhibition Military Punishment Satire Spectator Temple Textured Pillory


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This print captures the infamous moment of Defoe in the pillory, as depicted by Eyre Crowe. Engraved by JC Armytage around 1860 and later edited by Sidney Armytage for the book "Beautiful pictures by British artists" in 1870, this historical artwork showcases a significant event from the past. The image portrays a crowded scene with a military presence, featuring an army soldier standing guard near the pillory. The front view allows us to witness the punishment endured by Defoe, who is shown trapped within the confines of this wooden contraption. Spectators gather around, creating a textured background that adds depth to this illustration. Defoe's depiction in the pillory serves as both satire and exhibition of his perceived wrongdoings or controversial ideas during his time. The temple-like structure surrounding him further emphasizes his status as a foe or adversary to societal norms. With its AdobeRGB (1998) color profile enhancing every detail, this print offers viewers an opportunity to delve into history while appreciating British artistry at its finest. It is not associated with any specific company nor intended for commercial use; rather it stands as a testament to artistic expression and storytelling through visual mediums.

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