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Les deux ne font qu'un, 1791
1574864 Les deux ne font qu'un, 1791; (add.info.: Les deux ne font qu'un. Louis XVI and Marie Antoinette as a two-headed monster pulling in opposite directions; Louis wears the horns of a cuckold and Marie Antoinette has the head of Medusa wearing ostrich feathers. The French Revolution saw the decline of powerful churches and monarchies and the rise of democracy and nationalism.); Universal History Archive/UIG
Media ID 38093736
© Universal History Archive/UIG / Bridgeman Images
1790s Cuckold Democracy Fabulous Animal Fantastic Animal Fantastic Creature Feathers Fictional Characters Horns Louis Xvi Marie Antoinette Medusa Monstrous Character Monstruous Nationalism Ostrich Wonderful Character Fictional Character French Revolution Monster
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking and thought-provoking image captures the essence of the tumultuous period of the French Revolution in a truly unique way. Depicting Louis XVI and Marie Antoinette as a two-headed monster, each pulling in opposite directions, symbolizes the discord and division that plagued their reign.
Louis, adorned with the horns of a cuckold, represents his perceived weakness and ineffectiveness as a ruler. Meanwhile, Marie Antoinette is portrayed with the head of Medusa wearing ostrich feathers, embodying her reputation as a formidable and controversial figure.
The imagery of this monstrous duo serves as a powerful commentary on the downfall of powerful monarchies and churches during this era. As democracy and nationalism began to rise, traditional institutions were challenged and ultimately dismantled.
Through this fantastical representation, we are reminded of the complexities and contradictions inherent in history. The intricate details of this print invite us to ponder on themes such as power dynamics, political turmoil, and societal transformation.
Overall, Les deux ne font qu'un is not just an artwork but a visual narrative that encapsulates an important chapter in human history. Its symbolism continues to resonate with viewers today, prompting reflection on past events while also shedding light on contemporary issues.
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